Autopsia is an art project dealing with music and visual production. Autopsia gathers authors of different professions in realization of multimedia projects. Its art practice began in London in the late 1970s, continued during the 80s in the art centers of former Yugoslavia. Since 1990, Autopsia has acted from Prague, Czech Republic. At the beginning of its activity, Autopsia issued dozens of MCs. In the period after 1989, twenty CDs were issued, at first for Staalplaat from Amsterdam, then for German label Hypnobeat and London's Gymnastic Records. One of its compositions is a part of the soundtrack for Peter Greenaway's The Pillow Book. Music production of Autopsia can be classified as experimental, breakcore, avant-garde, ambient, industrial; it's associated with a large graphic production which consists of original graphic objects, design of flyers, posters, booklets, CDs, experimental films and audio installations.
Pop culture, insofar as it does induce, command or otherwise result in conformity, clearly cannot fulfil the essential promise of art and deliver us from the homogenising manipulations of the market. In other words, it can never result in the new, in the modernist sense.
Mystification is a pure strategy of power used by almost everyone, from politicians to artists, and through it, in a relatively simple way, various things are given an aura of unreachable values, although they suffer the "extra reality" or even banality.
Look, the Radical Machine begins to function, and its functioning successively seizes Perception, the Body, Sexuality, the Earth and Cosmos; in it everything is fulfilled, and every outer limit is estranged and disqualified as an insurmountable boundary, save for the very last one - Death.
Above all, we are not concerned with music. Our subject is the death and the pity of death. The music is in the pity.
A posthumous films, in the era of cinema's unprecedented mediocrity.
The key to Autopsia films is beyond the narrative, beyond the 'story' that we witness. What provides the density of cinematic enjoyment is material form beyond interpretation.