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For other uses, see Common Ground.
Common Grounds is a six-issue comic book limited series created by writer Troy Hickman and published by Top Cow Productions in 2004. The series examined the life of superheroes and villains in and around a chain of coffee shops called Common Grounds. Common grounds received an Eisner Award nomination in 2005.[citation needed]
OverviewThe series began in 1994 as the black-and-white mini-comic, Holey Crullers, written by Hickman and drawn by Jerry Smith, and was circulated through mail order and direct sales at comic book conventions (resulting in very few copies of Crullers being in existence today). In 1997, Wizard magazine became aware of the cult comic, and devoted a four-page article to it (a first for a photocopied, black-and-white mini-comic). Then, serendipitously, in 2003, Wizard editor Jim McLauchlin became editor-in-chief of Top Cow Productions, and quickly contacted Hickman about getting the rights to the Holey Crullers scripts. By the beginning of 2004, Common Grounds had been launched as a six-issue series, featuring Hickman's stories and new artwork by comics superstars such as Dan Jurgens, George Pérez, Mike Oeming, Chris Bachalo, Sam Kieth, Angel Medina, Carlos Pacheco, and Ethan Van Sciver. Jurgens was the regular artist, providing art for one short-story every issue, while one of the guest artists provided the art for the other(s). The series received a great deal of critical acclaim and garnered an even larger cult following, and in November 2004, a trade paperback was published collecting all six issues. The series' fame continued to grow even after publication had ceased, and in the summer of 2005, it received two Eisner Award nominations (Best Anthology and Best Short Story for "Where Monsters Dine," drawn by Angel Medina). TitleThe original 1990s comic series, Holey Crullers, centered around a chain of doughnut shops named "Holey Crullers". The name was a clever word-play on the fact that a doughnut is a type of cruller, a deep-fried cake pastry, with a hole in the center and also paid homage to the regular humorous outbursts of Robin in the 1960s era Batman (TV series). Hickman reported that the decision was made to update the central concept from a chain of doughnut shops to coffee shops and change the name to Common Grounds in an attempt to be timely and more relevant to the coffee culture in the US in the last 1990s and early 2000s. Just as with the previous title, the name "Common Grounds" includes some double entendre in that it simultaneously brings to mind a safe, neutral haven where those of differing viewpoints can find some agreement ("common ground") and also recalls an important aspect of coffee, namely the "grounds". It was an absolute rule that no superheroes or villains were allowed to fight within any Common Grounds outlet, under penalty of not being served again. The series includes an in-story reference to the name change in issue six when the company founder explains to an interviewer that he originally wanted to call his chain "Holey Crullers", but received a letter from the lawyers of the "old 60s superhero tv show" in which the sidekick always says "Holy This" and "Holy That", so he opted for Common Grounds instead. Themes and StoriesThe first volume of Common Grounds consists of thirteen self-contained stories (though there is a thread of continuity) in six issues featuring numerous superheroes and villains, including Speeding Bullet, Man-Witch, Mental Midget, Flammabelle, Digital Man & Analog Kid, the Acidic Jew, Deb-U-Ton, Strangeness & Charm, Blackwatch, the Liberty Balance, Eternal Flame, Big Money, and American Pi. Hickman addressed a number of themes in the series which some may consider uncommon in the mainstream comics industry, including aging, obesity, differing moral codes on good vs evil, second chances, patriotism, religious faith, guilt and regret, hope, suicide, self-doubt, responsibility for one's own life and choices, redemption, and a number of touching issues regarding familial relations. He accomplished this by de-mystifying his superheroes and villains and exploring their humanity in a way that normal people could relate to them. Ironically, Hickman also poked a little fun at the growing cynicism and rise in popularity of the gritty, scowling, heavy-handed anti-heroes who became so ubiquitous in the main-stream American comic industry from the late 1980s through the mid 2000s, but his "big break" came from a publisher primarily known for producing just such comics. Each issue of the six-issue mini-series included two or three short stories listed below.
CharactersAlthough, the limited series only comprises six issues to date, Hickman introduced a number of heroes, villains, and civilians. Some of the prominent characters are identified below, but many more characters are merely mentioned by other characters and make brief appearances in the background or in passing shots without any detail or description provided. Heroes
Villains
Civilians
Collected editionsThe series has been collected into a trade paperback:
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Mercedes Car
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