Jules Amédée Barbey d'Aurevilly

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Barbey d'Aurevilly

Born	Jules Amédée Barbey d'Aurevilly 2 November 1808 Saint-Sauveru-le-Vicomte, Manche, France
Died	23 April 1889 Paris
Nationality	French

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Jules-Amédée Barbey d'Aurevilly (November 2, 1808 – April 23, 1889), was a French novelist and short story writer. He specialised in mystery tales that explored hidden motivation and hinted at evil without ever crossing the line into the supernatural. He had a decisive influence on writers such as Auguste Villiers de l'Isle-Adam, Henry James and Proust.

1 Biography
2 Works
3 References
4 External links

Biography

Barbey d'Aurevilly was born at Saint-Sauveur-le-Vicomte (Manche) in Normandy. His greatest successes as a literary writer date from 1852 onwards, when he became an influential literary critic at the bonapartist paper Le Pays, helping to rehabilitate Balzac and effectually promoting Stendhal, Flaubert, and Baudelaire. Paul Bourget describes Barbey as a dreamer with an exquisite sense of vision, who sought and found in his work a refuge from the uncongenial every day world. Jules Lemaître, a less sympathetic critic, thought the extraordinary crimes of his heroes and heroines, his reactionary views, his dandyism and snobbery were a caricature of Byronism.

Barbey d'Aurevilly is buried alongside the castle of Saint-Sauveur-le-Vicomte.

Beloved of Fin-de-siècle decadents, Barbey d'Aurevilly remains an example of the extremes of late romanticism, suggesting how this genre could fall into discredit among later Victorians. Barbey d'Aurevilly held extreme Catholic views, yet wrote on the most risqué subjects, a contradiction apparently more disturbing to the English than to the French themselves. Barbey d'Aurevilly was also known as a dandy artisan of his own persona, adopting an aristocratic aura and hinting at a mysterious past, though his parentage was provincial bourgeois nobility, and his youth comparatively uneventful.

Inspired by the character and ambience of Valognes, he set his works against the social backdrop of Normand aristocracy. Although he himself did not use the Norman patois, his example encouraged the revival of vernacular literature in his home region.

Jules-Amédée Barbey d'Aurevilly died in Paris and was buried in the cimetière de Montparnasse. In 1926 his remains were transferred to the churchyard in Saint-Sauveur-le-Vicomte.

Works

Une vieille maîtresse (An Elderly Mistress, 1851), attacked at the time of its publication on the charge of immorality; it was adapted to cinéma by the controversial director Catherine Breillat: its English title is The Last Mistress.
L'Ensorcelée (The Bewitched, 1854), an episode of the royalist rising among the Norman peasants against the first republic.
Le Chevalier des touches 1864
Les Diaboliques (The She-Devils) 1874, a collection of short stories, each of which relates a tale of a woman who commits an act of violence, a crime, or revenge.
Le Cachet d’Onyx 1831
Léa 1832
L’Amour impossible 1841
La Bague d’Annibal 1842
Un Prêtre marié 1864
Une Histoire sans nom 1882
Ce qui ne meurt pas 1883
Du Dandysme et de Georges Brummel 1845
Les Prophètes du passé 1851
Les Oeuvres et les hommes 1860-1909
Les quarante médaillons de l'Académie 1864
Les ridicules du temps 1883
Pensées détachées, Fragments sur les femmes 1889
Polémiques d'hier 1889
Dernières Polémiques 1891
Goethe et Diderot 1913