Latin America:

Latin America (Spanish: América Latina or Latinoamérica; Portuguese: América Latina; French: Amérique latine) is a region of the Americas where Romance languages (i.e., those derived from Latin) – particularly Spanish, Portuguese, and variably French – are primarily spoken.^[2]^[3] Latin America has an area of approximately 21,069,501 km² (7,880,000 sq mi), almost 3.9% of the Earth's surface or 14.1% of its land surface area. As of 2008, its population was estimated at more than 569 million. Its density is 27 people per square kilometer or 70 people per square mile.

Etymology and definitions

The idea that a part of the Americas has a cultural affinity with the Romance cultures as a whole can be traced back to the 1830s, in particular in the writing of the French Saint-Simonian Michel Chevalier, who postulated that this part of the Americas were inhabited by people of a "Latin race," and that it could, therefore, ally itself with "Latin Europe" in a struggle with "Teutonic Europe," "Anglo-Saxon America" and "Slavic Europe."^[4] The idea was later taken up by Latin American intellectuals and political leaders of the mid- and late-nineteenth century, who no longer looked to Spain or Portugal as cultural models, but rather to France.^[5] The actual term "Latin America" was coined in France under Napoleon III and played a role in his campaign to imply cultural kinship with France, transform France into a cultural and political leader of the area and install Maximilian as emperor of Mexico.^[6] In contemporary usage:

The distinction between Latin America and Anglo-America (or, in some uses, North America), which can be criticized for stressing only the European heritage of these regions (that is, for Eurocentrism), is a convention based on the predominant languages in the Americas by which Romance-language and English-speaking cultures are distinguished. Neither area is culturally or linguistically homogenous; in substantial portions of Latin America (e.g., highland Ecuador, Bolivia, Guatemala, and Paraguay), American Indian cultures and, to a lesser extent, Amerindian languages, are predominant, and in other areas, the influence of African cultures is strong (e.g., the Caribbean basin—including parts of Colombia and Venezuela)—and the coastal areas of Ecuador and Brazil.

Subdivisions

In Darcy Ribeiro's classification system Latin American countries are classified as "New Peoples" (Chile, Colombia, Venezuela, Brazil etc.), that merged from the mix of several cultures while Peru, Bolivia and Mexico are "Testimony Peoples", remnants of ancient civilizations and Argentina and Uruguay, former "New Peoples" that became "Transplantated Peoples", essentially European, after massive immigration.^[14]

History

Pre-colombian history

The Americas were thought to have been first inhabited by people crossing the Bering Land Bridge, now known as the Bering strait, from northeast Asia into Alaska more than 10,000 years ago. The earliest known settlement, however, was identified at Monte Verde, near Puerto Montt in Southern Chile. Its occupation dates to some 14,000 years ago and there is some disputed evidence of even earlier occupation. Over the course of millennia, people spread to all parts of the continents. By the first millennium AD/CE, South America’s vast rainforests, mountains, plains and coasts were the home of tens of millions of people. The earliest settlements in the Americas are of the Las Vegas Culture^{[citation needed]} from about 8000 BC and 4600 BC, a sedentary group from the coast of Ecuador, the forefathers of the more known Valdivia culture, of the same era. Some groups formed more permanent settlements such as the Chibchas (or "Muiscas" or "Muyscas") and the Tairona groups. The Chibchas of Colombia, the Quechuas and Aymaras of Bolivia and Perú were the three Indian groups that settled most permanently.

The region was home to many indigenous peoples and advanced civilizations, including the Aztecs, Toltecs, Caribs, Tupi, Maya, and Inca. The golden age of the Maya began about 250, with the last two great civilizations, the Aztecs and Incas, emerging into prominence later on in the early fourteenth century and mid-fifteenth centuries, respectively.

European discovery

With the arrival of the Europeans following Christopher Columbus's voyages, the indigenous elites, such as the Incans and Aztecs, lost power to the Europeans. Hernándo Cortés destroyed the Aztec elite's power with the help of local groups who disliked the Aztec elite, and Francisco Pizarro eliminated the Incan rule in Western South America. European powers, most notably Spain and Portugal, colonized the region, which along with the rest of the uncolonized world was divided into areas of Spanish and Portuguese control by the line of demarcation in 1493, which gave Spain all areas to the west, and Portugal all areas to the east (the Portuguese lands in South America subsequently becoming Brazil). By the end of the sixteenth century, Europeans occupied large areas of North, Central and South America, extending all the way into the present southern United States. European culture and government was imposed, with the Roman Catholic Church becoming a major economic and political power, as well as the official religion of the region.

Diseases brought by the Europeans, such as smallpox and measles, wiped out a large proportion of the indigenous population, with epidemics of diseases reducing them sharply from their prior populations. Historians cannot determine the number of natives who died due to European diseases, but some put the figures as high as 85% and as low as 20%. Due to the lack of written records, specific numbers are hard to verify. Many of the survivors were forced to work in European plantations and mines. Intermixing between the indigenous peoples and the European colonists was very common, and, by the end of the colonial period, people of mixed ancestry (mestizos) formed majorities in several colonies.

Independence (1810-1825)

By the end of the eighteenth century, Spanish and Portuguese power waned on the global scene as other European powers took their place, notably Britain and France. In Latin America resentment grew among the majority of the population over the restrictions imposed by the Spanish government, as well as the dominance of native Spaniards (Iberian-born Peninsulares) in the major social and political institutions. Napoleon's invasion of Spain in 1808 marked a turning point, compelling Criollo elites to form juntas that advocated independence. Also, the newly independent Haiti, the second oldest nation in the New World after the United States and the oldest independent nation in Latin America, further fueled the independence movement by inspiring the leaders of the movement, such as Simón Bolívar and José de San Martin, and by providing them with considerable munitions and troops.

Fighting soon broke out between juntas and the Spanish colonial authorities, with initial victories for the advocates of independence. Eventually these early movements were crushed by the royalist troops by 1812, including those of Miguel Hidalgo y Costilla in Mexico and Francisco de Miranda in Venezuela. Under the leadership of a new generation of leaders, such as Simón Bolívar, José de San Martin and other Libertadores in South America, the independence movement regained strength, and by 1825, all Spanish America, except for Puerto Rico and Cuba, had gained independence from Spain. Brazil achieved independence with a constitutional monarchy established in 1822. In the same year in Mexico, a military officer, Agustín de Iturbide, led a coalition of conservatives and liberals who created a constitutional monarchy, with Iturbide as emperor. This First Mexican Empire was short-lived and was followed by the creation of a republic in 1823.

Consolidation and liberal-conservative conflicts (1825-1900)

World wars (1914-1945)

Cold war (1946-1990)

In the 1950s, the Cold War moved close to the United States, in Latin America. The nations of Latin America faced many critical problems, including widespread poverty and poor health care. The United States feared the politics of socialism and communism would be particularly appealing to the countries of Latin America. At the same time, many United States citizens worried about the threat to their own security and businesses in Latin America. This led the United States to take up a very aggressive military strategy of containment. Through the Cold War, the United States removed many democratically elected leaders of Latin American countries through covert C.I.A. operations and replaced them with leaders who were more friendly to the United States' interests.

Arguably, this interference with the democratic system in these countries created a blowback because many Latin Americans rejected the United States involvement. Many of the leaders who were put into power positions by the United States became dictators and oppressors as well.

Late 20th century military regimes

By the 1970s leftists had acquired a significant political influence which prompted the right-wing, ecclesiastical authorities and a large portion of the individual country's upper class to support coup d'etats to avoid what they perceived as a communist threat. This was further fueled by Cuban and United States intervention which led to a political polarization. Most South American countries were in some periods ruled by military dictatorships.

Around the 1970s, these regimes collaborated in Operation Condor killing many leftist dissidents, including some urban guerrillas.^[15] However, by the early 90's all countries had restored their democracies.

Washington Consensus

The set of specific economic policy prescriptions that were considered the "standard" reform package were promoted for crisis-wracked developing countries by Washington, DC-based institutions such as the International Monetary Fund (IMF), World Bank, and the US Treasury Department during the 80's and 90's.

In recent years, several Latin American countries led by socialist or other left wing governments, some of which—including Argentina and Venezuela—have campaigned for (and to some degree adopted) policies contrary to the Washington Consensus set of policies. (Other Latin counties with governments of the left, including Brazil, Chile and Peru, have in practise adopted the bulk of the policies). Also critical of the policies as actually promoted by the International Monetary Fund have been some US economists, such as Joseph Stiglitz and Dani Rodrik, who have challenged what are sometimes described as the "fundamentalist" policies of the International Monetary Fund and the US Treasury for what Stiglitz calls a "one size fits all" treatment of individual economies. The term has become associated with neoliberal policies in general and drawn into the broader debate over the expanding role of the free market, constraints upon the state, and US influence on other countries' national sovereignty.

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Demographics

Ethnic groups

The population of Latin America is a composite of ancestries, ethnic groups, and races, making the region one of the most diverse in the world. The specific composition varies from country to country: Many have a predominance of a European-Indian, or Mestizo, population; in others, Amerindians are a majority; some are dominated by inhabitants of purely European ancestry; and some countries' populations are primarily of African descent. Most Latin American countries have varying sizes of Asian minorities. Europeans are the largest single group, and they and people of part-European ancestry combine for approximately 80% of the population.^[1] In addition to the following groups, Latin America also has millions of tri-racial people of African, Amerindian, and European ancestry. Most are found in Colombia, Venezuela, and Brazil, with a much smaller presence in a number of other countries. The concept of race and ethnicity in Latin America varies greatly from country to country, and in many places, when a Latin America speaks of race, they are referring to what an Anglo-American would call nationality^{[citation needed]}.

Difference between race and ethnicity

Ethnicity refers to selected cultural and sometimes physical characteristics used to classify people into groups or categories considered to be significantly different from others. A race is a biological subspecies, or variety of a species, consisting of a more or less distinct population with anatomical traits that distinguish it clearly from other races.

Ethnic distribution

Language

Spanish and Portuguese are the predominant languages of Latin America. Portuguese is spoken only in Brazil, the most populous country in the region. Spanish is the official language of most of the rest of the countries on the Latin American mainland, as well as in Puerto Rico (where it is co-official with English), Cuba and the Dominican Republic. French is spoken in some Caribbean islands, including Guadeloupe, Martinique, and Haiti, as well as in the overseas departments of French Guiana (South America) and in Saint Pierre and Miquelon (North America). Dutch is the official language of some Caribbean islands and in Suriname on the continent; however, as Dutch is a Germanic language, these territories are not considered part of Latin America.

Other European languages spoken in Latin America include: English, by some groups in Argentina, Nicaragua, Panama, and Puerto Rico, as well as in nearby countries that may or may not be considered Latin American, like Belize and Guyana (English is used as a major foreign language in Latin American commerce and education); German, in southern Brazil, southern Chile, Argentina, portions of northern Venezuela, and Paraguay; Italian, in Brazil, Argentina, Uruguay, and Venezuela; and Welsh ^[29]^[30]^[31]^[32]^[33]^[34], in southern Argentina.

Culture

Latin American culture is a mixture of many cultural expressions worldwide. It is the product of many diverse influences:

Literature

Pre-Columbian cultures were primarily oral, though the Aztecs and Mayans, for instance, produced elaborate codices. Oral accounts of mythological and religious beliefs were also sometimes recorded after the arrival of European colonizers, as was the case with the Popol Vuh. Moreover, a tradition of oral narrative survives to this day, for instance among the Quechua-speaking population of Peru and the Quiché (K'iche') of Guatemala.

From the very moment of Europe's "discovery" of the continent, early explorers and conquistadores produced written accounts and crónicas of their experience—such as Columbus's letters or Bernal Díaz del Castillo's description of the conquest of Mexico. During the colonial period, written culture was often in the hands of the church, within which context Sor Juana Inés de la Cruz wrote memorable poetry and philosophical essays. Towards the end of the 18th Century and the beginning of the 19th, a distinctive criollo literary tradition emerged, including the first novels such as Lizardi's El Periquillo Sarniento (1816).

The 19th Century was a period of "foundational fictions" (in critic Doris Sommer's words), novels in the Romantic or Naturalist traditions that attempted to establish a sense of national identity, and which often focussed on the indigenous question or the dichotomy of "civilization or barbarism" (for which see, say, Domingo Sarmiento's Facundo (1845), Juan León Mera's Cumandá (1879), or Euclides da Cunha's Os Sertões (1902)).

At the turn of the 20th century, modernismo emerged, a poetic movement whose founding text was Nicaraguan poet Rubén Darío's Azul (1888). This was the first Latin American literary movement to influence literary culture outside of the region, and was also the first truly Latin American literature, in that national differences were no longer so much at issue. José Martí, for instance, though a Cuban patriot, also lived in Mexico and the U.S. and wrote for journals in Argentina and elsewhere.

However, what really put Latin American literature on the global map was no doubt the literary boom of the 1960s and 1970s, distinguished by daring and experimental novels (such as Julio Cortázar's Rayuela (1963)) that were frequently published in Spain and quickly translated into English. The Boom's defining novel was Gabriel García Márquez's Cien años de soledad (1967), which led to the association of Latin American literature with magic realism, though other important writers of the period such as the Peruvian Mario Vargas Llosa and Carlos Fuentes do not fit so easily within this framework. Arguably, the Boom's culmination was Augusto Roa Bastos's monumental Yo, el supremo (1974). In the wake of the Boom, influential precursors such as Juan Rulfo, Alejo Carpentier, and above all Jorge Luis Borges were also rediscovered.

Contemporary literature in the region is vibrant and varied, ranging from the best-selling Paulo Coelho and Isabel Allende to the more avant-garde and critically acclaimed work of writers such as Diamela Eltit, Ricardo Piglia, or Roberto Bolaño. There has also been considerable attention paid to the genre of testimonio, texts produced in collaboration with subaltern subjects such as Rigoberta Menchú. Finally, a new breed of chroniclers is represented by the more journalistic Carlos Monsiváis and Pedro Lemebel.

Art

Beyond the rich tradition of indigenous art, the development of Latin American visual art owed much to the influence of Spanish, Portuguese and French Baroque painting, which in turn often followed the trends of the Italian Masters. In general, this artistic Eurocentrism began to fade in the early twentieth century, as Latin-Americans began to acknowledge the uniqueness of their condition and started to follow their own path.

From the early twentieth century, the art of Latin America was greatly inspired by the Constructivist Movement. The Constructivist Movement was founded in Russia around 1913 by Vladimir Tatlin. The Movement quickly spread from Russia to Europe and then into Latin America. Joaquin Torres Garcia and Manuel Rendón have been credited with bringing the Constructivist Movement into Latin America from Europe.

Painter Frida Kahlo, one of the most famous Mexican artists, painted about her own life and the Mexican culture in a style combining Realism, Symbolism and Surrealism. Kahlo's work commands the highest selling price of all Latin American paintings.^[82]

Colombian sculptor and painter Fernando Botero is also widely known by his works which, on first examination, are noted for their exaggerated proportions and the corpulence of the human and animal figures.

Music and dance

Latin America has produced many successful worldwide artists in terms of recorded global music sales. The most successful have been Roberto Carlos who has sold over 100 million records, Carlos Santana with over 75 million, Luis Miguel, Shakira and Vicente Fernandez with over 50 million records sold worldwide.^[83] One of the main characteristics of Latin American music is its diversity, from the lively rhythms of Central America and the Caribbean to the more austere sounds of the Andes and the Southern Cone. Another feature of Latin American music is its original blending of the variety of styles that arrived in The Americas and became influential, from the early Spanish and European Baroque to the different beats of the African rhythms.

Caribbean Hispanic music, such as merengue, bachata, salsa, and more recently reggaeton, from such countries as the Dominican Republic, Puerto Rico,Trinidad, Cuba, and Panama has been strongly influenced by African rhythms and melodies. Haiti's compas is a genre of music that draws influence and is thus similar to its Caribbean Hispanic counterparts, with an element of jazz and modern sound as well.^[84]^[85]

Other influential Latin American sounds include the Antillean Soca and Calypso, the Honduras (Garifuna) Punta, the Colombian cumbia and vallenato, the Chilean Cueca, the Ecuadorian Boleros, and Rockoleras, the Mexican ranchera, the Nicaraguan Palo de Mayo, the Peruvian Marinera and Tondero, the Uruguayan Candombe, the French Antillean Zouk (Derived from Haitian Compas) and the various styles of music from Pre-Columbian traditions that are widespread in the Andean region.

The classical composer Heitor Villa-Lobos (1887–1959) worked on the recording of native musical traditions within his homeland of Brazil. The traditions of his homeland heavily influenced his classical works.^[86] Also notable is the recent work of the Cuban Leo Brouwer and guitar work of the Venezuelan Antonio Lauro and the Paraguayan Agustín Barrios. Latin America has also produced world-class classical performers such as the Chilean pianist Claudio Arrau, Brazilian pianist Nelson Freire and the Argentine pianist and conductor Daniel Barenboim.

More recently, Reggaeton, which blends Jamaican reggae and dancehall with Latin America genres such as bomba and plena, as well as that of hip hop, is becoming more popular, in spite of the controversy surrounding its lyrics, dance steps (Perreo) and music videos. It has become very popular among populations with a "migrant culture" influence – both Latino populations in the U.S., such as southern Florida and New York City, and parts of Latin America where migration to the U.S. is common, such as Puerto Rico, Trinidad, Dominican Republic, Colombia, Ecuador, El Salvador, and Mexico.^[88]

Film

Latin American film is both rich and diverse. Historically, the main centers of production have been México, Brazil, Cuba, and Argentina.

Latin American cinema flourished after the introduction of sound, which added a linguistic barrier to the export of Hollywood film south of the border. The 1950s and 1960s saw a movement towards Third Cinema, led by the Argentine filmmakers Fernando Solanas and Octavio Getino. More recently, a new style of directing and stories filmed has been tagged as "New Latin American Cinema."

Argentine cinema has been prominenent since the first half of the 20th century and today averages over 60 full-length titles yearly. The industry suffered during the 1976–1983 military dictatorship; but re-emerged to produce the Academy Award winner The Official Story in 1985. A wave of imported U.S. films again damaged the industry in the early 1990s, though it soon recovered, thriving even during the Argentine economic crisis around 2001. Many Argentine movies produced during recent years have been internationally acclaimed, including Nueve reinas (2000), El abrazo partido (2004) and El otro (2007).

In Brazil, the Cinema Novo movement created a particular way of making movies with critical and intellectual screenplays, a clearer photography related to the light of the outdoors in a tropical landscape, and a political message. The modern Brazilian film industry has become more profitable inside the country, and some of its productions have received prizes and recognition in Europe and the United States, with movies such as Central do Brasil (1999), Cidade de Deus (2003) and Tropa de Elite (2007).