Piphat

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• วงปี่พาทย์

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A piphat (Thai: ปี่พาทย์) is a kind of ensemble in the classical music of Thailand, which features wind and percussion instruments. It is considered the primary form of ensemble for the interpretation of the most sacred and "high-class" compositions of the Thai classical repertoire, including the Buddhist invocation entitled Satukan (Thai: สาธุการ) as well as the suites called phleng ruang. It is also used to accompany traditional Thai theatrical and dance forms including khon (Thai: โขน) (masked dance-drama), lakhon (classical dance), and shadow puppet theater.

Hard-mallet vs. soft-mallet

The most common form of piphat is called piphat mai khaeng (ปี่พาทย์ไม้แข็ง). This ensemble uses an oboe called pi (after which the piphat ensemble is named), in combination with xylophones, gong circles, and other percussion instruments, with the xylophones and gong circles using hard mallets, creating a very bright, loud sound. A quieter variety of piphat ensemble, called piphat mai nuam (ปี่พาทย์ไม้นวม), uses a vertical flute called khlui piang or in place of the pi, and soft mallets are used in place of hard mallets. Because the piphat mai nuam produces a relatively soft, mellow sound, the large glawng thad drums are not used. Also, the ensemble may include saw u, to enhance its soft sound.

Types of piphat

The smallest piphat, called piphat khruang ha, is composed of six instruments: pi nai (oboe); ranad ek (xylophone); khong wong yai (gong circle); taphon or other Thai drums; khlong thad, a set of two large barrel drums beaten with sticks; and ching (small cymbals). Often other small percussion instruments such as krab or chab are used.

A slightly larger piphat ensemble is called piphat khruang khu, and consists of eight musical instruments. The other two instruments are the ranad thum (xylophone), which produces a deeper sound than the ranad ek, and khong wong lek, a gong circle that is higher in pitch than the khong wong yai.

The largest form of piphat ensemble is the piphat khruang yai, which consists of ten musical instruments. Another ones are ranat ek lek and ranat thum lek; these are almost the same as their ancestors, the ranad ek and ranad thum, but they have keys made from metal instead of wood.

Piphat khruang ha

Wong piphat khruang ha (Thai: วงปี่พาทย์เครื่องห้า) is an ensemble consisting of:

1. 1 pi nai - bass oboe
2. 1 taphon - secondary timekeeper
3. 1 ching - main timekeeper
4. 1 khong wong yai - bass gongs hanged in semicircular track
5. 2 glong thad - Thai tympani
6. 1 ranad ek - treble xylophone

Piphat khruang khu

Wong piphat khruang khu (Thai: วงปี่พาทย์เครื่องคู่) is developed from piphat khruang ha, by arranging instruments in pairs of treble-bass. It consists of:

1. 1 pi nai - bass oboe
2. 1 pi nok - treble oboe
3. 1 taphon - secondary timekeeper
4. 1 glong songna or 2 glong khaek
5. 2 glong thad - Thai tympani
6. 1 ching - main timekeeper
7. 1 chab
8. 1 khong wong yai - bass gongs hung in semicircular track
9. 1 khong wong lek - treble version of gongs hung in semicircular track
10. 1 khong mong
11. 1 ranad ek - treble xylophone
12. 1 ranad thum - bass xylophone

Piphat khruang yai

Wong piphat khruang yai (Thai: วงปี่พาทย์เครื่องใหญ่) is arranged by adding ranad ek lek (ระนาดเอกเหล็ก; treble metallophone) and ranad thum lek (ระนาดทุ้มเหล็ก; bass metallophone) to the wong piphat khruang khu.

Piphat nang hong

Wong piphat nang hong (Thai: วงปี่พาทย์นางหงส์) is an ensemble used in funerals. It is arranged by replacing the pi nai and pi nok with a pi chawa. The name nang hong comes from name of its main song.

Piphat duek dam ban

Wong piphat duek dam ban (Thai: วงปี่พาทย์ดึกดำบรรพ์; literally "ancient ensemble") was proposed by Prince Naris for using in Thai opera. It consists of:

1. 1 ranad ek
2. 1 taphon
3. 1 ranad thum
4. 1 ranad thum lek
5. 1 khong wong yai
6. 1 ching
7. 1 taphon - "tympani" made by using two taphons arranged together.
8. 1 saw u
9. 1 khlui u - bass flute
10. 1 khlui phiang aw - medium
11. 1 wong khong chai - a set of 7 khong chai with different size hung on wooden bar.

Piphat mon

The piphat mon is believed to derive from the Mon people, an ancient Mon-Khmer-speaking people of mainland Southeast Asia, and uses special instruments such as an upright gong circle called khong mon. Wong piphat mon (Thai: วงปี่พาทย์มอญ) has three sizes:

Piphat mon khruang ha

Wong piphat mon khruang ha (Thai: วงปี่พาทย์มอญเครื่องห้า) consists of:

1. 1 ranad ek
2. 1 pi mon - bass oboe with horn-shaped end.
3. 1 khong mon wong yai - a set of bass gongs set in vertical frame (unlike khong wong yai, which gongs are set in horizontal semicircular frame).
4. 1 poeng mang khog (เปิงมางคอก) or khog poeng (คอกเปิง) - Mon drums set in cage-shaped frame.
5. ching, chab and khong mong

Piphat mon khruang khu

Wong piphat mon khruang khu (Thai: วงปี่พาทย์มอญเครื่องคู่) is arranged by adding ranad toom and khong mon wong lek to the piphat mon khruang ha.

Piphat mon khruang yai

Wong piphat mon khruang yai (Thai: วงปี่พาทย์มอญเครื่องใหญ่) is arranged by adding ranad ek lek and ranad thum lek to the piphat mon khruang khu.

The piphat mon ensemble is usually used in funerals, as it generally plays slow pieces. However, it can also be used for other events.

The piphat ensemble can be mixed with the khruang sai ensemble to create a new ensemble called khruang sai prasom piphat (เครื่องสายประสมปี่พาทย์ or เครื่องสายผสมปี่พาทย์).

Similar ensembles

The Cambodian equivalent of the piphat is called pinpeat.

See also

• Khruang sai
• Mahori
• Music of Thailand
• Korphai

References

• Piphat ensemble (Thai)
• Piphat nang hong (Thai)
• Piphat deuk dam ban (Thai)
• Further information about piphat ensemble (Thai)

External links

Listening

• Pi Phat Ensemble page from SEAsite

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