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Welcome to the Professional sound production WikiProject! If you would like to contribute to this project, please take a look at the Open tasks to see specific needs. Don't forget to add your name to the members list!
- Goals
- To clearly organize the articles within the 3 sub-topics of professional sound production (See Scope).
- To improve the quality of articles related with professional sound production
Hopefully this project will improve the organization or these articles to the point of creating navigation templates, or even a series, with a few WP:FACs and WP:FARs to top it off.
- Scope
This project covers all articles which cover the technology, equipment or professions relating to
- Recorded Media (audio & film)
- Sound Reinforcement (events such as concerts & theatre) and
- Broadcast (live television & radio).
This project is not as broad as the Entertainment Technology WikiProject. For example, this project is not concerned with Stage Lighting and DJ related articles. Perhaps this project can be seen as a child of the Entertainment Technology WikiProject.
Contents |
Members
- Davidkazuhiro (talk · contribs) (interested in Sound Reinforcement and organization between and within articles.)
- KFP (talk · contribs)
- BenFranske (talk · contribs) (I am a semi-professional audio engineer, lighting designer and entertainment technology system designer/engineer. Activity will be on a limited basis as time allows.)
- GreyCat (talk · contribs) (musician, guitarist, audio engineer; interested in sound recording / processing technologies, effects units articles, etc)
- Guidewell (talk · contribs) (medically retired concert and recording pianoforte technician - specialist in the history, development, design and technology past and present and acoustic properties of the piano in particular and stringed keyboard and hand plucked and struck instruments in general)
- Gwazda (talk · contribs) (semi-professional recording and live sound engineer.)
- Fadookie (talk · contribs) (film student considering a career in video/audio postproduction, moderator at The Freesound Project.)
- Goldenglove (talk · contribs) (semi-amateur audio engineer, guitarist, know a few things about audio recording, processing, editing, mixing, etc.)
- DavidP02 (talk · contribs) (Engineer, musician, has been involved in both high-end pro audio design, manufacture, wholesale and retail.)
- Ww (talk · contribs) (former full range concert system designer)
- PhilyG (talk · contribs) (studio and live engineer, composer, keyboardist, and saxophonist)
- atatdotdot (talk · contribs) (Amateur sound technician, drummer, guitarist and vocalist)
- snottywong (talk · contribs) (Professional audio/video engineer for a commercial AV design/install contractor, also a musician)
- therminator (talk · contribs) (recording engineering hobbyist, site admin recordingjunkie.com, professional DAW setup and installations)
- Jrod2 (talk · contribs) (audio engineer - songwriter -interested in audio mastering )
- Mystic Pixel (talk · contribs) (electrical engineer, work in broadcast radio/production)
- DSatz (talk · contribs) (semi-retired classical recording engineer, many live recordings, translator from German to English)
- Ab2kgj (talk · contribs) (5-year Amateur with too much superfluous knowledge and a certain knack for noticing grammatical errors--will work on occasion as time allows)
- Drmartini (talk · contribs) (been working with audio for 9 years in traveling and house operations as performer, live audio engineer, producer, studio musician, and engineer with Digital Performer and Pro Tools)
- UMRK (talk · contribs) (recording and mixing engineer, studio musician, professional translator and editor)
- binksternet (talk · contribs) (freelance live audio mixer, digital audio editor, vintage audio restorer)
- eb.eric (talk · contribs) (graduate of audio production college, runs small studio, musician)
- chriswheat (talk · contribs) (professional freelance audio engineer)
- neoxide (talk · contribs) (studying to be an audio engineer)
- Doktor Who (talk · contribs) (professional freelance computing-tech, also experienced in audio engineering)
- Geir 18:06, 8 September 2007 (UTC) (home-recording, singer/songwriter)
- Sebbi 00:06, 15 October 2007 (UTC) (home recording and small scale producer, Mac and Ableton addict, multi-instrumentalist and composer)
- LuckyLouie (talk · contribs) Former location & studio recording engineer, broadcast radio producer
- ICberg7 (talk · contribs) (I am a semi-professional audio/visual engineer)
- Jackocleebrown (talk · contribs) (Research Engineer at GP Acoustics: KEF and Celestion)
- Uncle Milty (talk · contribs) (Small A/V company owner, audio engineer, etc.)
- Joenovice (talk · contribs) (professional guitarist, composer, and music technology specialist)
- nickbuz (talk · contribs) (starting professional in acoustics, audio, and technology; composer, mac user, and music school graduate)
- Izhaki (talk · contribs) (A mixing engineer, also a recording engineer and a music producer; the author of Mixing Audio; an audio-engineering/recording-arts lecturer at SAE institute, London; BA Recording Arts)
- Mozillaman (talk · contribs) (Sound engineer with experience in CD mastering and Radio production)
What can I do?
The Basic
- Place the talk page template on the talk pages of articles within this project's scope. See #Where to find "Professional sound production" articles to see where you can find these articles.
The Standard
- Edit articles. Specific needs are:
- Requests: See Wikipedia:WikiProject Professional sound production/Article requests
- Copyedit:
- Wikify:
- Merge:
- Cleanup: Audio engineering, Shure, Dynamic range, Preamplifier, Steinberg Cubase
- Expand: AKG Acoustics, Electro-Voice, M-Audio, ORTF stereo technique, Ribbon microphone, Sennheiser, TASCAM, Wireless microphone, FireworX,
- Verify: Audio restoration, Live sound reproduction
- Disambiguation:
- Stubs: Audio-Technica, Earthworks (company), Lavalier microphone, Microphonics, PZM (microphone), Røde Microphones, Shure SM57, Shure SM58, Parametric equalization, Passive component, Active component, FireworX, Society of Professional Audio Recording Services
- Update:
- NPOV: Nevaton,
- Other:
- Organize into headings: Georg Neumann, Electret microphone, U 47
- Assess articles if there are unassessed articles. For details see article page.
The Awesome
- Come up and implement a better way of keeping track of tasks than the list of specific needs above. That is just a temporary means to list stuff that needs to get done. If you have ideas for a better way of listing tasks and organizing articles within this projects scope, please type them up on the discussion page or even implement it yourself!
- Create and contribute to the policy page by engaging in discussions on its talk page.
Announcements
- I created an advanced article talk template from Template:WikiProject Filmmaking and copied over their assessment scheme for our use. Please see the new assessment "department" page and assessment category structure that I adapted for our use from the Filmmaking project. Things should be ready to go, so please start assessing articles at your leisure. :) -Fadookie Talk 03:49, 2 February 2007 (UTC)
- An Invite user template has been created, so you can easily leave a message on the talk pages of editors who are actively editing articles within our scope.
Where to find "Professional sound production" articles
All the articles which have been declared to be within the scope of this project can be found in this category. Feel free to look through and improve these articles, add articles to this list by adding the project template to the article's discussion page, or contest the inclusion of an article into this projects scope.
You might be able to find some articles which are in are scope and need to be tagged in the below categories:
- Acoustics
- Audio effects
- Audio engineering
- DSP
- Effects units
- Film sound production
- Microphones
- MIDI
- Music hardware
- Music software
- Noise
- Noise reduction
- Recording studios
- Sound
- Sound production
- Sound production technology
- Sound recording
- Sound recording technology
- Synthesizers
Templates
Feel free to add other useful and project-related templates.
Talk space templates
Place this template in the discussion page of all articles which fall under the project scope.
| What to type | What it makes | ||||
|---|---|---|---|---|---|
| {{WikiProject Professional sound production}} (see the Assessment page for more information.) Talk |
|
User space templates
Use this template to invite users to join the project.
| What to type | What it makes | ||
|---|---|---|---|
| {{WikiProject PSP invite}} Talk |
|
Notes
Scope Ambiguity
When it comes to phenomena within Professional sound production, it has been hard to decide whether or not the article is within this project's scope, especially when it seems like the Physics WikiProject already has it covered. Since some phenomena, though a topic within physics, are exclusive and specific within Professional sound production, it is important to include them in this project's scope. For example, the article on Sound need not be included, since most aspects of this generic topic are consistent throughout most fields. However, an article like Audio feedback which is technically under the scope of physics, is a phenomenon exclusive and very important to Professional sound production. This project's goal is to include every article pertinent, yet not cut out too much work for ourselves.That said, if you have any questions regarding scope ambiguity, please discuss it on the project discussion page.
